Music Inspiration Journal: #1 Seeds of a Mental Construct


I’ve decided to share my musical inspiration notebook from my college years, one entry at a time. Some entries are carbon copies right from my notebook, others have current reflections added into the original entries, marked with italics.

Please use a discerning gaze when reading these claims, which deserve critical examination. This documentation represents a snapshot of my internal landscape at a certain point in time in my life during my collegiate career.


Seeds of a Mental Construct:
My short time with Vector literally changed my entire perspective on reality and colored my subconscious. In 24 hours of “intense” periods of training, I was firmly enough enough rooted and wired efficiently enough to begin selling a product that I previously knew nothing about. Through a mix of listening and conscious interaction and practice, I was able to develop a strongly magnetized mental construct. I even dreamed of CutCo knives.
Maddie familiarized us to the product and the company. She taught us all about the sales approach, the marketing approach, had us practice from the manual, and gave us hands on experience cutting food.
I can utilize this approach to build my own musical and mental constructs. At this point, it is a scientific process; I am just trying things out, but with a cocktail of integrative practices and perspectives, I can develop and cultivate my musical intuition and my hearing-mind.
Perhaps instead of attempting to digest the entire of field of music, instead I could gear this first perspective towards digesting new tunes and material.

• For new tunes, I can familiarize myself to it through listening to a variety of versions of the song.
• Dissect the chord changes and read them aloud
• Play the melody with the recording
• Play the chords with the recording
• Establish a flow of scales with looper
• Play with triads through changes
• Play with seventh arpeggios through the changes.

Paving, excavating, polishing, building

This is a culmination of all I know. Each one of these bullets have infinite ways to open endless possibilities; is is a 3-day, 5 hour-a-day block of experience.

Each bullet should be practiced and thoroughly appreciated; there is no rush, but there is.

Hands-on playing can be balanced with critical (attentive) listening.

This approach can be geared towards classical materials as well.

I steep in exercise to promote growth.
I play as a listener.
When anger arises, I observe it and diffuse it by tracing and acknowledging its roots. For every anger, there exists a construct for translating, transmuting, and transforming emotion into motivation and understanding.

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